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Letter, unpublished, d'Annunzio, Mussolini

Letter, unpublished, d'Annunzio, Mussolini "

The correspondence between Gabriele d'Annunzio and Benito Mussolini was published in 1971 by Mondadori, with the title D'Annunzio, Mussolini and the Italian political 1919-1938. Despite the authority of the curators, Renzo De Felice and Emilio Mariano, work is now unavailable and in need of updates historiography: for the new material - documentary photography - acquired over the years.

The final document is in Italian Vittoriale arrived yesterday, unexpectedly, during the ceremony for the 73rd anniversary of the death of the poet. A day of celebration with the planting of twenty cypress trees, to replace the same number killed by the death of d'Annunzio in today and that will improve Vittoriale in the position of the top ten most beautiful parks in Italy. Then the donation by the maestro Ettore Greek bronze depicting a powerful, life-size, a St. Sebastian, because this year marks the centenary of Martyre de Saint Sébastien written by d'Annunzio, music by Debussy and starring Ida Rubinstein. Then the raising of flags of Pescara, birthplace, and Gardone Riviera - in tribute to the Twinning D'Annunzio, which already include 39 places - in the presence of mayors and Andrea Luigi Mascia Albore Cipani. Finally - but it overlooks many other events - the traditional donation of new documents: the family Cosimi filed those of Captain (later General) Mario Sani, one of the main collaborators of the Captain D'Annunzio, the collector and scholar Giovanni Maria Staffieri Lugano, generous supporter of Vittoriale, provided a correspondence between the poet and the painter Romaine Brooks. But Staffieri also had a surprise for me, for friendship. "Do you know this?" She asked, slyly, at the last minute. It put me in the unmistakable hand of the paper with handwriting on paper with the motto "Not to sleep."

It 's a letter written to Mussolini September 7, 1919, five days before taking the River. Until now it was believed that the announcement had been given to the leader of the nascent fascism on September 11, ("I'm leaving now. Tomorrow River take it by force.") The new document is of exceptional beauty in the sounds of the language, shows that the ties between the two were closer and more frequent than previously thought, and d'Annunzio was really hoping that in the help of Mussolini and his team in the making, as well as its support on journalism: "I trust in your support and support among those who, cowardly, fear this hand Army. History Serber laurels for those who have worked for the glorious end. Long live Italy! "

Actually Mussolini believed that it would be able, and merely pay lip service, so much so that on September 20 the prophet wrote him a letter full of insults that the leader had the effrontery to publish, censored, and reassembled, passing a letter of praise. Then he was content to promote a subscription for River that yielded almost three million dollars. In October ad'Annunzio delivered in person, the first 857,842 pounds, and he never knew how much he has paid the rest, believed to have taken most of the money to finance fascism, he obtained a public statement in which the commander acknowledged that allowing him to retain an unspecified amount for its "fighters": which, in Rijeka, were a minority.

For too many years, until the most recent, the company is considered only as a stream on an episode of nationalism, or even the birthplace of fascism. River was in fact an extraordinary first, advanced, libertarian experiment, since the Constitution written by the poet and revolutionary syndicalist Alceste De Ambris. Even for this Mussolini - who was preparing an alliance with the strong powers, monarchy, Church, army, owners - did not believe, and left without intervening in 1920 Giolitti ordered the "Christmas rivers of blood", by attacking the city army.

In the early days of 1921 began the slow evacuation of soldiers D'Annunzio. The Captain stayed until January 18, in a state of despair but also of pride. What he had created would remain in history. "The Naked Mile," said D'Annunzio in one of his many speeches, adding that "He who stops is lost" and told to "march not rot" slogan that will soon reappear on the walls of homes during two decades of which The poet was an unwitting forerunner, teaching that it was possible to rebel against the State with arms and consider the chief a demiurge able to change everyone's life, as well as the homeland. Mussolini learned from the lesson of Rijeka, which could undermine the liberal ruling class by using the rhetoric of patriotism, and Vittorio Emanuele III had to realize that they can count on the total loyalty of the army, finding that he had an important place in day of the march on Rome. As written by Emilio Gentile, the ideology of Mussolini realistic "was completely foreign to the moral fervor, the libertarian spirit and independence (...) and the confused but sincere intentions of the revolutionary environment bubbling river." Fiumanesimo by the fascists took only the external apparatus, adding the sap of castor oil. It never would have heard, during the regime, the final farewell to D'Annunzio threw from the balcony of city hall: "Long Live Love! Alala! "

Paradoxically will just attach River Mussolini Italy, in 1924, the Treaty of Rapallo. But the result would not have been possible without the firm of D'Annunzio. Which, rightly, in the letter published here for the first time, he concludes: "Finally, the new company will seal the end of the beautiful saga of the Thousand, adding heroes to heroes."

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Double moral Carlo Chianura - Blog - Repubblica.it

Double moral Carlo Chianura - Blog - Repubblica.it

What Is Your Dream When You Grow Up?

Saviano is always on TV and radio: the inmate world's most visible

Saviano is always on TV and radio: the inmate world's most visible :" The writer laments the

"lack of freedom" but it's always on TV where the usual attacks Berlusconi. The only armor? The officers of his escort "

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The assault on the media mouthpiece, the last public enemy of B. Let us

The assault on the media mouthpiece, B. last public enemy:" If

for two days in a row is Free that Il Giornale you spend the first page (and a whole in the newspaper) to say something. If you end up for months in the headline as a fixed target, there must be a reason. What's on Epiphany media reversed and nell'assurgere of Italo Bocchino a public enemy of the Italian center, in a journalistic corollary of controversy, complaints of stalking (concerned) and Appendix side of a dispute honor the knife with (former) friend of a time Roberto D'Agostino. The stereotype that mouthpiece is crucified by the press of inspiration Berlusconi (the contest with the king of the gossip site has different implications and more complex) is that of "Judas", the "renegade", the "infamous traitor" (if not enhanced with the corrupt public procurement). A politician who, in this iconography dilated, it becomes even creator of original sin, although Il Giornale even accuses him for being the man who has "blown" on Dagospia (nientemeno!) the news of the news that Casoria in which the party in Silvio Berlusconi went to visit Letizia.

For the Journal that is blown as the expulsion from Eden, scarring inemendabile to Berlusconi, which in itself justifies the next ordeal. At the same time it must be said that the complaint of stalking journalistic mouthpiece has no legal precedents, and that if the campaign against him had not the contours of almost grotesque ferocity, could even suggest questions about the legality of a judicial response to a press campaign. Yesterday Vittorio Macioce wrote: "Not to mention his name in vain" , with accompanying photos of the reporters of 36 martyrs victim of the complaint. But The Journal has also published a detailed note of which he is entitled to reimbursement from the parent company, accused him of wanting to make shoes to Fini, portrayed him as a violent and arrogant ras, delving into internal strife to the party with the method. Maurizio Belpietro shot in the primapagina under the most surreal, probably more shocking for its management ( "Mouthpiece bitter" ), and both newspapers (from Journal when he was directed by Victor Felts) has been transferred and extended the battle "anti-Italian" (in the sense of Italy) the whole family.

Not to be outdone Who published in summer a picture of Mouthpiece in t-shirt that speaks on the Piazzetta with Paolo Mieli, even were the evidence of a Jewish Masonic conspiracy ( "That's advisers Secrets Fini! "), which had to predict that or honey or mouthpiece were kindly heels (or "WARNING") to be willing paparazzi, gossip about the alleged relationship with Mara Carfagna contudente becomes a club (from which even the minister is urged to emancipate interview with "reparation"). And as in the communication system Berlusconi all vessels are connected, even on Channel 5, apparently in the container leisure kalispera , vice president of Fli was ridiculed - no less! - To film an appearance of youth, when (early twenties) agreed to play a role as a waiter he seasoned The ugly: a cameo in one of the films produced by his wife, and made a witness the carefree feeling some shame that one small part signoriniana - twenty years later - could produce.

But as the mouthpiece does not really physique du rôle the poor victim, you must also add that the machine man Fini familiar with this mechanism and in part also used, although now take advantage of its new aura media to make the jump to the major league days and is preparing to try to climb the league with his political autobiography ( A history of right ) Longanesi that the library has decided to send in with a run-monstre ( 20 000 copies, that which once was a great part Italian best-seller). She wants to become the first in the standings and could even do it with his right History, prefabricated by his (now separated dall'antifinismo) Pietrangelo Buttafuoco.

But that said, the question remains. Why him and why so hard? The first answer is simple: because he is obviously on the balls to Silvio Berlusconi. This does not deny the freedom of initiative of the directors concerned, but it sure explains that there is a mood , a common feeling Sucu rests the assault. The second response is perhaps more complex. It is as if the powerful communication device of the Knight had a continuing need fresh meat. It serves as a bread public enemy-fans to hold up to the voters, and Bocchino has the critical mass and stage presence to the role. He was a friend of Belpietro, say, but this has not spared the arrows. After all, the generation mechanism of the enemy, Berlusconi's imagination, following the styles very common and very "Soviet". The physiological need to balance the external enemy in their legions, produces "the kulak," the traitor, the servant of the plot, just as Stalin was in need of these imaginary figures up to the invention.

The ultimate answer, however, is type of so-called "technical". Mouthpiece comes from within the system and therefore knows its Achilles heel and weaknesses. While the men of the center as annealed to give the Knight spoilers, Bocchino is always on the attack . His line remained memorable on a poor vittimelle dell'Olgettina Ballarò ( "But among these benefited from the generosity of Mr Berlusconi is not there even one who has sixty years' ). No less insightful was the duel In Onda (finite everywhere on YouTube) in which a guest of my program, Mouthpiece for exactly one hour continued to target Sallusti with a question (unanswered): "Why not say what they pay you to do the killer?" . The anti-polemistica Italy (in Italian DIRECTION), therefore, is destined to match the anti-Finian. Why in the duel without truce, the highlander B. do not know the rest. How does it sound good in the mouth of Sallust, the belligerent expedition Christopher Lambert "In the end it will be only one" .

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